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You are about to read a beautiful account of Watershed, a project that took place over the last 2 years near Robertsbridge in East Sussex. Yet Watershed exists because of a hinterland – or shall we say a broad catchment – of over a decade’s collaborative, impactful work.
That catchment is Waterweek, an exceptional example of locally-engaged ecological artists’ practice: a collaboration between Clare Whistler, an artist and eco-poet whose background is in dance and movement, and Charlotte Still, a visual artist and deeply embedded ecological activist.
You are about to read a beautiful account of Watershed, a project that took place over the last 2 years near Robertsbridge in East Sussex. Yet Watershed exists because of a hinterland – or shall we say a broad catchment – of over a decade’s collaborative, impactful work.
That catchment is Waterweek, an exceptional example of locally-engaged ecological artists’ practice: a collaboration between Clare Whistler, an artist and eco-poet whose background is in dance and movement, and Charlotte Still, a visual artist and deeply embedded ecological activist.